
'In the mechanical age now receding, many actions could be taken without too much concern. Slow movement insured that the reactions were delayed for considerable periods of time. Today the action and the reaction occur almost at the same time. We actually live mythically and integrally, as it were, but we continue to think in the old, fragmented space and time patterns of the pre-electric age.'
'[There is a] strange falsification of history by archeology, insofar as the survival of many material objects of the past does not indicate the quality of ordinary life and experience at any particular time. '
(Marshall McLuhan,
Understanding Media)
"...the movement of any archeology... is an accomplice of this reduction of the structurality of structure and always attempts to conceive of structure on the basis of a full presence which is beyond all play."
(Jacques Derrida, Structure, Sign and Play in the Discourse of the Human Sciences)
'If the film called history rewinds itself, it turns into an endless loop. What will soon end in the monopoly of bits and fiber optics began with the monopoly of writing. History was the homogenized field that, as an academic subject, only took account of literate cultures. Mouths and graphisms were relegated to prehistory. Otherwise, stories and histories (both deriving from historia) could not have been linked. All the military, religious and medical orders, judgments, announcements and prescriptions, which produced mountains of corpses, were communicated along the very same channel that monopolized the descriptions of those mountains of corpses. Which is why anything that ever happened ended up in libraries.'
'And Foucault, the last historian or first archaeologist, merely had to look things up. The suspicion that all power emanates from and returns to archives could be brilliantly confirmed, at least within the realms of law, medicine and theology. A tautology of history, or its calvary. For the libraries, in which the archaeologist found so much rich material, collected and catalogued papers that in terms of addressee, distribution technique, degree of secrecy and writing technique had been extremely diverse -- Foucault's archive as the entropy of a post office. Even writing itself, before it ends up in libraries, is a communication medium, the technology of which the archaeologist simply forgot. It is for this reason that all his analyses end immediately before that point in time at which other media penetrated the library's stacks. Discourse analysis cannot be applied to sound archives or towers of film rolls.'
'As long as it was moving along, history was indeed Foucault's "wavelike succession of words." More simply, but no less technical than tomorrow's fiber optic cables, writing functioned as a universal medium--in times when there was no concept of medium. Whatever else was going on dropped through the filter of letters or ideograms.'
(Friedrich Kittler, Gramophone, Film, Typewriter)
'The consciousness of exploding the continuum of history is peculiar to the revolutionary classes in the moment of their action.'
'The historical materialist cannot do without the concept of a present which is not a transition, in which time originates and has come to a standstill. For this concept defines precisely the present in which he writes history for his person. Historicism depicts the “eternal” picture of the past; the historical materialist, an experience with it, which stands alone. He leaves it to others to give themselves to the whore called “Once upon a time” in the bordello of historicism. He remains master of his powers: man enough, to explode the continuum of history.'
'Historicism contents itself with establishing a causal nexus of various moments of history. But no state of affairs is, as a cause, already a historical one. It becomes this, posthumously, through eventualities which may be separated from it by millenia. The historian who starts from this, ceases to permit the consequences of eventualities to run through the fingers like the beads of a rosary. He records [erfasst] the constellation in which his own epoch comes into contact with that of an earlier one. He thereby establishes a concept of the present as that of the here-and-now, in which splinters of messianic time are shot through.'
(Walter Benjamin, On the Concept of History)